Anand, Manpreet Kaur. An Overview of Hamlet Studies. Newcastle upon Tyne: Cambridge Scholars, 2019.

Anglin, Emily. “‘Something in me dangerous’: Hamlet, Melancholy, and the Early Modern Scholar.” Shakespeare 13.1 (2017): 15-29.

Baker, Christopher. “Hamlet and the Kairos.” Ben Jonson Journal 26.1 (2019): 62-77.

Baker, Naomi. “‘Sore Distraction’: Hamlet, Augustine and Time.” Literature and Theology 32.4 (2018): 381-96.

Belsey, Catherine. “The Question of Hamlet.” The Oxford Handbook of Shakespearean Tragedy, ed. Michael Neill and David Schalkwyk (Oxford: Oxford University Press, 2016:

Bevington, David, ed. Twentieth Century Interpretations of Hamlet: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice-Hall, 1968.

Bevington, David. Murder Most Foul: Hamlet through the Ages. Oxford: Oxford University Press, 2011.

Bloom, Harold, ed. Modern Critical Interpretations: Hamlet. New York: Chelsea House Publishers, 1986.

Booth, Stephen. “On the Value of Hamlet.” Reinterpretations of Elizabethan Drama. Ed. By Norman Rabkin. New York: Columbia University Press, 1969. 137-76.

Bowers, Fredson. Hamlet as Minister and Scourge and Other Studies in Shakespeare and Milton. Charlottesville, VA: University Press of Virginia, 1989.

Brancher, Dominique. “Universals in the Bush: The Case of Hamlet.” Shakespeare and Space: Theatrical Explorations of the Spatial Paradigm, ed. Ina Habermann and Michelle Witen (New York: Palgrave Macmillan, 2016): 143-62.

Bourus, Terri. Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance. New York: Palgrave Macmillan, 2014.

Bourus, Terri. Canonizing Q1 Hamlet. Special issue of Critical Survey 31.1-2 (2019).

Burnett, Mark Thornton. ‘Hamlet' and World Cinema. Cambridge: Cambridge University Press, 2019.

Calderwood, James L. To Be and Not to Be: Negation and Metadrama in Hamlet. New York: Columbia, 1983.

Carlson, Marvin. Shattering Hamlet's Mirror: Theatre and Reality. Ann Arbor: University of Michigan Press, 2016.

Cavell, Stanley. “Hamlet’s Burden of Proof.” Disowning Knowledge in Seven Plays of Shakespeare. Cambridge: Cambridge University Press, 2003. 179–91.

Chamberlain, Richard. “What's Happiness in Hamlet?” The Renaissance of Emotion: Understanding Affect in Shakespeare and his Contemporaries, ed. Richard Meek and Erin Sullivan (Manchester: Manchester University Press, 2017): 153-74.

Cormack, Bradin. “Paper Justice, Parchment Justice: Shakespeare, Hamlet, and the Life of Legal Documents.” Taking Exception to the Law: Materializing Injustice in Early Modern English Literature, ed. Donald Beecher, Travis Decook, and Andrew Wallace (Toronto: University of Toronto Press, 2015): 44-70.

Craig, Leon Harold. Philosophy and the Puzzles of Hamlet: A Study of Shakespeare's Method. London: Bloomsbury, 2014.

Critchley, Simon; Webster, Jamieson. Stay, Illusion!: The Hamlet Doctrine. New York: Pantheon Books, 2013.

Curran, John E., Jr. Hamlet, Protestantism, and the Mourning of Contingency: Not to Be. Aldershot and Burlington, VT: Ashgate, 2006.

Cutrofello, Andrew. All for Nothing: Hamlet's Negativity. Cambridge, MA: The MIT Press, 2014.

Dawson, Anthony B. Hamlet: Shakespeare in Performance. Manchester and New York: Manchester UP, 1995.

Desmet, Christy. “Text, Style, and Author in Hamlet Q1.” Journal of Early Modern Studies 5 (2016): 135-156

Dodsworth, Martin. Hamlet Closely Observed. London: Athlone, 1985.

De Grazia, Margreta. Hamlet without Hamlet. Cambridge: Cambridge University Press, 2007.

Dromgoole, Dominic. Hamlet: Globe to Globe: 193,000 Miles, 197 Countries, One Play. Edinburgh: Canongate, 2018.

Dunne, Derek. “Decentring the Law in Hamlet.” Law and Humanities 9.1 (2015): 55-77.

Eliot, T. S. “Hamlet and His Problems.” The Sacred Wood: Essays on Poetry and Criticism. London: Methuen, 1920. 87–94.

Evans, Robert C., ed. Critical Insights: Hamlet. Amenia: Grey House Publishing, 2019.

Farley-Hills, David, ed. Critical Responses to Hamlet, 1600-1900. 5 vols. New York: AMS Press, 1996.

Foakes, R.A. Hamlet Versus Lear: Cultural Politics and Shakespeare's Art. Cambridge: Cambridge University Press, 1993.

Frank, Arthur W. “‘Who’s There?’: A Vulnerable Reading of Hamlet,” Literaature and Medicine 37.2 (2019): 396-419.

Frye, Roland Mushat. The Renaissance Hamlet: Issues and Responses in 1600. Princeton: Princeton UP, 1984.

Kastan, David Scott, ed. Critical Essays on Shakespeare’s Hamlet. New York: G. K. Hall, 1995.

Khan, Amir. “My Kingdom for a Ghost: Counterfactual Thinking and Hamlet.” Shakespeare Quarerly 66.1 (2015): 29-46.

Keener, Joe. “Evolving Hamlet: Brains, Behavior, and the Bard.” Interdisciplinary Literary Studies 14.2 (2012): 150-163

Kott, Jan. “Hamlet of the Mid-Century.” Shakespeare, Our Contemporary. Trans. Boleslaw Taborski. Garden City: Doubleday, 1964.

Lake, Peter. Hamlet’s Choice: Religion and Resistance in Shakespeare's Revenge Tragedies. New Haven: Yale University Press, 2020.

Lerer, Seth. “Hamlet’s Boyhood.” Childhood, Education and the Stage in Early Modern England, ed. Richard Preiss and Deanne Williams (Cambridge: Cambridge University Press, 2017):17-36.

Levy, Eric P. Hamlet and the Rethinking of Man. Madison: Fairleigh Dickinson University Press, 2008.

Lewis, C.S. “Hamlet: The Prince or the Poem?” (1942). Studies in Shakespeare, ed. Peter Alexander (1964): 201-18.

Loftis, Sonya Freeman; Allison Kellar; and Lisa Ulevich, ed. Shakespeare's Hamlet in an Era of Textual Exhaustion. New York, NY: Routledge, 2018.

Luke, Jillian. “What If the Play Were Called Ophelia? Gender and Genre in Hamlet.” Cambridge Quarterly 49.1 (2020): 1-18.

Gates, Sarah. “Assembling the Ophelia Fragments: Gender, Genre, and Revenge in Hamlet.” Explorations in Renaissance Culture 34.2 (2008): 229-47.

Gottschalk, Paul. The Meanings of Hamlet: Modes of Literary Interpretation Since Bradley. Albequerque: University of New Mexico Press, 1972.

Greenblatt, Stephen. Hamlet in Purgatory. Princeton and Oxford: Princeton University Press, 2001.

Hunt, Marvin W. Looking for Hamlet. New York and Basingstoke: Palgrave MacMillan, 2007.

Iyengar, Sujata. "Gertrude/Ophelia: Feminist Intermediality, Ekphrasis, and Tenderness in Hamlet," in Loomba, Rethinking Feminism In Early Modern Studies: Race, Gender, and Sexuality (2016), 165-84.

Iyengar, Sujata; Feracho, Lesley. “Hamlet (RSC, 2016) and Representations of Diasporic Blackness,” Cahiers Élisabéthains 99, no. 1 (2019): 147-60.

Johnson, Laurie. The Tain of Hamlet. Newcastle upon Tyne: Cambridge Scholars, 2013.

Jolly, Margrethe. The First Two Quartos of Hamlet: A New View of the Origins and Relationship of the Texts. Jefferson: McFarland, 2014.

Jones, Ernest. Hamlet and Oedipus. Garden City: Doubleday, 1949.

Keegan, Daniel L. “Indigested in the Scenes: Hamlet's Dramatic Theory and Ours.” PMLA 133.1 (2018): 71-87.

Kinney, Arthur F., ed. Hamlet: Critical Essays. New York: Routledge, 2002.

Kiséry, András. Hamlet's Moment: Drama and Political Knowledge in Early Modern England. Oxford: Oxford University Press, 2016.

Kottman, Paul A. “Why Think About Shakespearean Tragedy Today?” The Cambridge Companion to Shakespearean Tragedy, ed. Claire McEachern (Cambridge: Cambridge University Press, 2013): 240-61.

Langis, Unhae. “Virtue, Justice and Moral Action in Shakespeare’s Hamlet.” Literature and Ethics: From the Green Knight to the Dark Knight, ed. Steve Brie and William T. Rossiter (Newcastle upon Tyne: Cambridge Scholars, 2010): 53-74.

Lawrence, Sean. "'As a stranger, bid it welcome': Alterity and Ethics in Hamlet and the New Historicism," European Journal of English Studies 4 (2000): 155-69.

Lesser, Zachary. Hamlet after Q1: An Uncanny History of the Shakespearean Text. Philadelphia: University of Pennsylvania Press, 2015.

Levin, Harry. The Question of Hamlet. New York: Oxford UP, 1959.

Lewis, Rhodri. Hamlet and the Vision of Darkness. Princeton: Princeton University Press, 2017.

Litvin, Margaret. Hamlet's Arab Journey: Shakespeare's Prince and Nasser's Ghost. Princeton: Princeton University Press, 2011.

Loftis, Sonya Freeman, and Lisa Ulevich. “Obsession/Rationality/Agency: Autistic Shakespeare.” Disability, Health, and Happiness in the Shakespearean Body, edited by Sujata Iyengar. Routledge, 2015, pp. 58-75.

Marino, James J. “Ophelia’s Desire.” ELH 84.4 (2017): 817-39.

McGee, Arthur. The Elizabethan Hamlet. New Haven: Yale UP, 1987.

Megna, Paul, Bríd Phillips, and R.S. White, ed. Hamlet and Emotion. New York: Palgrave Macmillan, 2019.

Menzer, Paul. The Hamlets: Cues, Qs, and Remembered Texts. Newark: University of Delaware Press, 2008.

Mercer, Peter. Hamlet and the Acting of Revenge. Iowa City: University of Iowa Press, 1987.

Oldham, Thomas A. “Unhouseled, Disappointed, Unaneled”: Catholicism, Transubstantiation, and Hamlet.” Ecumenica8.1 (Spring 2015): 39-51.

Owen, Ruth J. The Hamlet Zone: Reworking Hamlet for European Cultures. Newcastle-Upon-Tyne: Cambridge Scholars, 2012.

Price, Joeseph G., ed. Hamlet: Critical Essays. New York: Routledge, 1986.

Prosser, Eleanor. Hamlet and Revenge. 2nd ed. Stanford: Stanford UP, 1971.

Rosenberg, Marvin. The Masks of Hamlet. Newark: University of Delaware Press, 1992.

Row-Heyveld, Lindsey. “Antic Dispositions: Mental and Intellectual Disabilities in Early Modern Revenge Tragedy.” Recovering Disability in Early Modern England, ed. Allison P. Hobgood and David Houston Wood. Ohio State University Press, 2013, pp. 73-87.

Shakespeare, William. Hamlet. Ed. Neil Taylor and Ann Thompson. Revised Ed. London: Arden Third Series, 2006.

Shakespeare, William. Hamlet. Ed. Robert S. Miola. New York: Norton, 2010.

Stritmatter, Roger. "Two More Censored Passages from Q2 Hamlet." Cahiers Élisabéthains 91.1 (2016): 88-95.

Thompson, Ann. “Hamlet 3.1: 'To be or not to be’.” The Cambridge Guide to the Worlds of Shakespeare: The World's Shakespeare, 1660-Present, ed. Bruce R. Smith (Cambridge: Cambridge University Press, 2016): 1144-50.

Seibers, Tobin. “Shakespeare Differently Disabled.” The Oxford Handbook of Shakespeare and Embodiement: Gender, Sexuality, and Race, ed. Valerie Traub (Oxford: Oxford University Press, 2016): 435-54.

Skinner, Quentin. “Confirmation: The Conjectural Issue.” Forensic Shakespeare (Oxford: Oxford University Press, 2014): 226-68.

Slater, Michael. “The Ghost in the Machine: Emotion and Mind–Body Union in Hamlet and Descartes," Criticism 58 (2016).

Thompson, Ann, and Neil Taylor, eds. Hamlet: A Critical Reader. London: Bloomsbury, 2016.

Weiss, Larry. “The Branches of an Act: Shakespeare's Hamlet Explains his Inaction.” Shakespeare 16.2 (2020): 117-27.

Wells, Stanley, ed. Hamlet and Its Afterlife. Special edition of Shakespeare Survey 45 (1992).

Williams, Deanne. “Enter Ofelia playing on a Lute.” Shakespeare and the Performance of Girlhood (New York: Palgrave Macmillan, 2014): 73-91

Williamson, Claude C.H., ed. Readings on the Character of Hamlet: Compiled from Over Three Hundred Sources.

White, R.S. Avant-Garde Hamlet: Text, Stage, Screen. Lanham: Fairleigh Dickinson University Press, 2015.

Wiles, David. “Hamlet’s Advice to the Players.” The Players’ Advice to Hamlet: The Rhetorical Acting Method from the Renaissance to the Enlightenment (Cambridge: Cambridge University Press, 2020): 10-38

Wilson, J. Dover. What Happens in Hamlet. 3rd ed. Cambridge: Cambridge UP, 1951.

Zamir, Tzachi, ed. Shakespeare's Hamlet: Philosophical Perspectives. Oxford: Oxford University Press, 2018.