#  Bibliography 

 



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Outside the classroom, the three main venues for Shakespeare-and-Trump discourse are performance, media, and writing. Sometimes they intersect—as in writing about performance, writing on social media, performance on social media—and each venue has subtypes, as out- lined below.

**Performance**

*Orange-Face Shakespeare*: Modern dress productions, usually serious and tragic, costuming Shakespearean characters as Trump to lodge a political critique.

*The Taming of the Shrew*, dir. Phyllida Lloyd (New York, NY: Public Theater, 2015). See Laura Collins-Hughes, “Is ‘Shrew’ Worth Taming? Female Directors Keep Trying,” *New York Times* (June 16, 2016). [https://www.nytimes.com/2016/06/19/theater/shakespeare-the-taming-of-th…](https://www.nytimes.com/2016/06/19/theater/shakespeare-the-taming-of-the-shrew.html)

*Henry VI, Parts 2 and 3*, dir. Barbara Gaines (Chicago, IL: Chicago Shakespeare Theater, 2016). See Chris Jones, “‘Civil Strife’ Concludes Barbara Gaines’ Epic Comment on Conflict,” *Chicago Tribune* (Sept. 27, 2016). [https://www.chicagotribune.com/entertainment/theater/ct-tug-of-war-shak…](https://www.chicagotribune.com/entertainment/theater/ct-tug-of-war-shakespeare-review-0928-20160927-column.html)

*Coriolanus*, dir. Michael Sexton (New York, NY: Barrow Street Theatre, 2016). See Charles Isherwood, “In 'Coriolanus,' a Politician for a Campaign Season,” *New York Times* (Nov. 1, 2016). [https://www.nytimes.com/2016/11/01/theater/review-in-coriolanus-a-polit…](https://www.nytimes.com/2016/11/01/theater/review-in-coriolanus-a-politician-for-a-campaign-season.html)

*Julius Caesar*, dir. Oskar Eustis (New York, NY: The Public Theater, 2017). See Jesse Green, “Can Trump Survive in Caesar's Palace?” *New York Times* (June 9, 2017). [https://www.nytimes.com/2017/06/09/theater/review-julius-caesar-delacor…](https://www.nytimes.com/2017/06/09/theater/review-julius-caesar-delacorte-theater-donald-trump.html)

*Julius Caesar*, dir. Nicholas Hytner (London: Bridge Theatre, 2018). See “Nicholas Hytner on Julius Caesar,” *The Guardian* (Jan. 25, 2018). [https://www.theguardian.com/stage/2018/jan/25/nicholas-hytner-on-julius…](https://www.theguardian.com/stage/2018/jan/25/nicholas-hytner-on-julius-caesar-shakespeare)

*Macbeth*, dir. Carl Cofield (New York, NY: The Classical Theatre of Harlem, 2016). See Raven Snook, *Time Out* (n.d.). <https://www.timeout.com/newyork/theater/macbeth-1>

*The Merchant of Venice*, dir. Diana Green (Palisades, NY: Palisades Presbyterian Church, 2018). See Eric Menton, “Seeking Heroes, We Get Laughter,” *Shakespeareances* (March 3, 2018). <http://www.shakespeareances.com/willpower/onstage/Merchant-19-CST18.html>

*ShakesTrump Travesties*: Shakespearean theatrical adaptations, usually irreverent satires, often low-budget one-person shows, that send up the chaos and absurdity of Trump’s reign by patterning it onto one of Shakespeare’s texts.

Irwin Appel (wr.) and Carlos Morton (dir.), *Trumpus Caesar* (University of California Santa Barbara: Studio Theater, 2017). <https://www.theaterdance.ucsb.edu/news/event/592> See “‘Trumpus Caesar’ Feeds Politic-Based Angst with Art,” *Santa Barbara Independent* (Aug. 16, 2017). [https://www.independent.com/2017/08/16/trumpus-caesar-feeds-politic-bas…](https://www.independent.com/2017/08/16/trumpus-caesar-feeds-politic-based-angst-art/)

Peter Schumann, *Out-Of-Joint Hamlet* (Glover, VT: Paper Mache Cathedral, 2018). See Greg Cook, “Bread &amp; Puppet’s ‘Out-Of-Joint Hamlet’ Unearths The Play’s Strongmen To Reframe Shakespeare For The Trump Era,” *Wonderland* (June 27, 2018). <https://gregcookland.com/wonderland/2018/06/27/bread-puppet-hamlet/>

David Carl, *Trump Lear*, dir. Michole Biancosino (New York, NY: Under St. Marks Theater, 2018). <https://www.trumplear.com>. See Ronan Hatfull, “*Trump Lear –* Edfringe Review,” *The 730 Review* (Aug. 19, 2019). <https://www.the730review.co.uk/2019/08/19/trump-lear-edfringe-review/>

Emily Carding, *Richard III (A One Woman Show)* (Touring: Brite Theater, 2015-18). <http://www.onewomanrichard.weebly.com>

Pamela Allen Brown and Peter A. Parolin, *Richard III Pop-Up at SAA* (Denver, CO: Shakespeare Association of America, 2020). *\[Cancelled\]*

*Shaxtivism*: Disruptive political demonstrations, including guerrilla performances, leveraging Shakespeare and his cultural cachet to spur audiences to resistance.

Jeff Charis-Carlson, “Protesters Turn to Shakespeare to Explain Trump,” *Iowa City Press-Citizen* (Jan. 13, 2017). [https://www.press-citizen.com/story/news/2017/01/13/iowa-city-protest-s…](https://www.press-citizen.com/story/news/2017/01/13/iowa-city-protest-shakespeare-richard-iii-donald-trump-inauguration-day/96353896/)

Heather James, “Letter from President Heather James, February 2017.” [http://www.shakespeareassociation.org/letter-from-president-heather-jam…](http://www.shakespeareassociation.org/letter-from-president-heather-james-february-2017/)

“Presidential Speech by Heather James, Shakespeare Association of America,” (Atlanta, GE: 45th Annual Meeting of the Shakespeare Association of America, Apr 7, 2017). <https://www.youtube.com/watch?v=pIvh3y5kZAE>

NowThis Politics, “Steve Bannon’s Rap Musical,” Table Read (April 2017). <https://nowthisnews.com/steve-bannon-hip-hop-rap-musical>

“Really!?! with Seth and Amy: Julius Caesar Protests,” *Late Night with Seth Myers* (June 21, 2017). <https://youtu.be/aL-91cqSfsY>. See Melissa Locker, “Seth Meyers and Amy Poehler Reunite for a Blistering Takedown of Pro-Trump Protesters,” *Time* (June 22, 2017). <https://time.com/4828285/seth-meyers-amy-poehler-on-trump-protesters/>

Speech After *A Winter’s Tale*, dir. Blanche McIntyre (London: Shakespeare’s Globe, July 13, 2018). <https://twitter.com/katymfallon/status/1018072174828097537>.

Bridge Repertory Theater, "Midterm SHAKE Up: A Night of Shakespeare's Best Political Scenes," dir. Damon Krometis (Cambridge, MA: Nov. 1-6, 2018). [https://www.facebook.com/events/bridge-repertory-theater/midterm-shake-…](https://www.facebook.com/events/bridge-repertory-theater/midterm-shake-up-a-night-of-shakespeares-best-political-scenes/1897963026967322/)

**Media**

*Shakes-Toons*: Shakespeare-inflected political cartoons depicting storylines from the Trump saga in terms of the plays’ well-known plots, characters, and dialogue.

“Et tu, Trump? Political cartoons inspired by Shakespeare – in pictures,” *The Guardian* (March 8, 2017). [https://www.theguardian.com/stage/gallery/2017/mar/08/trump-as-brutus-p…](https://www.theguardian.com/stage/gallery/2017/mar/08/trump-as-brutus-political-cartoons-inspired-by-shakespeare-draw-new-mischief)

Jason Adam Katzenstein, “Et tu, Cohen?” *The New Yorker* (July 23, 2018). [https://www.newyorker.com/cartoons/daily-cartoon/monday-july-23rd-et-tu…](https://www.newyorker.com/cartoons/daily-cartoon/monday-july-23rd-et-tu-cohen)

*Shakes-Memes*: Brief clips of videos, images, quotes, or witticisms spread on the internet, with variations, using Shakespeare to comment on modern cultural phenomena, or vice versa.

Grace Ioppolo (@ProfShakespeare), “Shakespeare on Donald Trump hinting that he will run for US president (<http://yhoo.it/bhP8eu>): 'What means that trump?' (Timon of Athens),” Twitter Post (Oct. 10, 2010). <https://twitter.com/ProfShakespeare/status/26966213663>

Jeremy Newberger (@jeremynewberger), “Mixing up the Shakespeare in the Park protest and AG Rod Rosenstein stories Trump accidentally fires Rosencrantz and Guildenstern,” Twitter Post (June 16, 2017). <https://twitter.com/jeremynewberger/status/875917813311000580>

Karen DenBleyker (@kdneedles), “If this were played upon a stage now, I could condemn it as an improbable fiction,” Twitter Post (July 2, 2017). <https://twitter.com/kdneedles/status/881440865411108864>

Gary Legum (@GaryLegum), “"This new trend" says someone who has apparently never read ‘Julius Caesar’,” Twitter Post (Sept. 1, 2018). <https://twitter.com/GaryLegum/status/1035939287810953218>

Acyn Torabi (@Acyn), “Anononamus,” *Twitter Post* (Sept. 7, 2018), <https://twitter.com/Acyn/status/1038245947011031040/photo/1>.

Bardfilm (@bardfilm), “I just thought of a compromise that would stop the government shutdown! Some man or other must PRESENT Wall…” Twitter Post (Jan. 9, 2019). <https://twitter.com/bardfilm/status/1083025918313021440>

William Shakespeare (@Shakespeare), “Yes, the King’s disgraced brother just killed himself. In prison. By drowning himself in a butt of Malmsey. Nothing to see here, move along,” Twitter Post (Aug. 10, 2019). <https://twitter.com/Shakespeare/status/1160188602309107712>

Dan Rather (@DanRather), “A Sharpie! a Sharpie! my kingdom for a Sharpie!” Twitter Post (Sept. 5, 2019). <https://twitter.com/DanRather/status/1169710552819437568>

William Shakespeare (@Shakespeare), “Antonio, Duke of Milan, is currently trying to move his brother Prospero’s storm using a Sharpie pen,” Twitter Post (Sept. 5, 2019). <https://twitter.com/Shakespeare/status/1169792824172322816>

Asha Rangappa, “So many good explainers out there on why the Trump/Biden situations are different (including that there is no evidence of underlying wrongdoing by Biden's son). But I broke down the basics last night. (Can we make #HoistedByHisOwnPetard trend?? It's long but it is Shakespeare),” Twitter Post (Sept. 24, 2019). [https://twitter.com/AshaRangappa\_/status/1176622813052047360](https://twitter.com/AshaRangappa_/status/1176622813052047360)

*BardBlogs*: Online lists and blog posts, usually witty and light-hearted, that map some aspect of the news onto quotes or characters from the plays.

Emily Uecker, “‘Hell is empty and all the devils are here’: A Shakespearean Guide to the 2016 Republican Primary,” *McSweeneys* (August 6, 2015). [https://www.mcsweeneys.net/articles/hell-is-empty-and-all-the-devils-ar…](https://www.mcsweeneys.net/articles/hell-is-empty-and-all-the-devils-are-here-a-shakespearean-guide-to-the-2016-republican-primary)

Emily Uecker, “‘The crown will find an heir’: A Shakespearean Guide to the 2016 Democratic Primary,” *McSweeneys* (Oct. 13, 2016). [https://www.mcsweeneys.net/articles/the-crown-will-find-an-heir-a-shake…](https://www.mcsweeneys.net/articles/the-crown-will-find-an-heir-a-shakespearean-guide-to-the-2016-democratic-primary)

Katy Weniger, “The 2016 GOP Presidential Candidates: As Told By Shakespeare,” *Odyssey* (Jan. 25, 2016). [https://www.theodysseyonline.com/2016-gop-presidential-candidates-told-…](https://www.theodysseyonline.com/2016-gop-presidential-candidates-told-shakespeare)

Tom Blunt, “The Bard’s Ballot: 2016 Candidates as Shakespeare Characters,” *Signature* (April 18, 2016). [http://www.signature-reads.com/2016/04/the-bards-ballot-2016-candidates…](http://www.signature-reads.com/2016/04/the-bards-ballot-2016-candidates-as-shakespeare-characters)

Michael Judge, “Shakespeare on Our ‘Scurvy Politicians’,” *The Wall Street Journal* (Sept. 20, 2016). [https://www.wsj.com/articles/shakespeare-on-our-scurvy-politicians-1474…](https://www.wsj.com/articles/shakespeare-on-our-scurvy-politicians-1474412706)

César Chelala, “Donald Trump and William Shakespeare,” *The Globalist* (Oct. 13, 2019), [https://www.theglobalist.com/donald-trump-william-shakespeare-richard-i…](https://www.theglobalist.com/donald-trump-william-shakespeare-richard-iii/)

Chad Pergram, “How impeachment hearings can be best understood using Shakespeare,” *Fox News* (Nov. 16, 2019). [https://www.foxnews.com/politics/how-impeachment-hearings-can-be-best-u…](https://www.foxnews.com/politics/how-impeachment-hearings-can-be-best-understood-using-shakespeare.amp)

*Bardcasts*: Audio interviews, discussions, and podcasts for a general audience bringing Shakespearean performers and scholars into conversation with current events—most notably Isaac Butler’s *Lend Me Your Ears* on *Slate*.

Virginia Marshall and Meghna Chakrabarti, “What Would Shakespeare Say About The 2016 Election Cycle?” WBUR (Nov. 2, 2016). <https://www.wbur.org/radioboston/2016/11/02/packer-shakespeare-election>

Neema Parvini, “Shakespeare and Trump with Jeffrey R. Wilson,” *Shakespeare and Contemporary Theory*34 (Nov. 25, 2016). [https://blogs.surrey.ac.uk/shakespeare/2016/11/25/shakespeare-and-conte…](https://blogs.surrey.ac.uk/shakespeare/2016/11/25/shakespeare-and-contemporary-theory-34-shakespeare-and-trump-with-jeffrey-r-wilson/)

Matthew Clayfield, “UK theatre maverick Declan Donnellan on why putting Shakespeare on stage is not just important – it's urgent,” *Time Out* (Jan. 6, 2017). [https://www.timeout.com/sydney/blog/uk-theatre-maverick-declan-donnella…](https://www.timeout.com/sydney/blog/uk-theatre-maverick-declan-donnellan-on-why-putting-shakespeare-on-stage-is-not-just-important-its-urgent-010617)

Kelsey Perrett, “Shakespeare for the Masses’ ‘King John’ draws comparisons to 2016 election,” *MV Times*(Jan. 10, 2017). [https://www.mvtimes.com/2017/01/10/shakespeare-masses-king-john-draws-c…](https://www.mvtimes.com/2017/01/10/shakespeare-masses-king-john-draws-comparisons-2016-presidential-election/)

Robert Kuttner, “Q&amp;A: A Tale Told by an Idiot: Shakespeare and Trump,” *The American Prospect* (Feb. 6, 2017). <https://prospect.org/culture/q-a-tale-told-idiot-shakespeare-trump/>

Reduced Shakespeare Company, “Episode 532: Shakespeare &amp; Trump,” *RSC Podcasts* (Feb. 20, 2017). <http://www.reducedshakespeare.com/2017/02/episode-532-shakespeare-trump/>

Isaac Butler, *Lend Me Your Ears,* on *Slate* (May 8, 2017). [http://www.slate.com/articles/slate\_plus/shakespeare.html](http://www.slate.com/articles/slate_plus/shakespeare.html)

Anita Diamant, “Who Will Believe Thee? Shakespeare's 'Measure For Measure' On Weinstein, Trump And Justice,” *WBUR* (Oct. 16, 2017). [https://www.wbur.org/artery/2017/10/16/shakespeare-trump-weinstein-meas…](https://www.wbur.org/artery/2017/10/16/shakespeare-trump-weinstein-measure)

Virginia Heffernan, “The Psychic Tyranny of Shakespeare's Tyrants,” *Trumpcast*, on *Slate* (Mayy 11, 2018). [https://slate.com/news-and-politics/2018/05/shakespeare-offers-useful-t…](https://slate.com/news-and-politics/2018/05/shakespeare-offers-useful-themes-for-understanding-trump.html)

“Errol Morris on Steve Bannon’s Dangerous ‘Dharma’,” *Boston Review* (Aug. 24, 2018). <http://bostonreview.net/politics/errol-morris-interview-american-dharma>

“What can Shakespeare teach us about Donald Trump?” featuring Stephen Greenblatt at the Stratford Festival, *CBC Radio* (Sept. 11, 2018). [https://www.cbc.ca/radio/ideas/what-can-shakespeare-teach-us-about-dona…](https://www.cbc.ca/radio/ideas/what-can-shakespeare-teach-us-about-donald-trump-1.4819143)

Ethan Alter, “Kenneth Branagh explains the Shakespearean tragedy of the Trump era,” *Yahoo! Finance*(May 10, 2019). [https://finance.yahoo.com/news/kenneth-branagh-explains-shakespearean-t…](https://finance.yahoo.com/news/kenneth-branagh-explains-shakespearean-tragedy-of-trump-era-140438452.html)

Saralyn Cruickshank, “Shakespeare and modern political theater,” Johns Hopkins University Hub (Oct. 21, 2019). <https://hub.jhu.edu/2019/10/21/eliot-cohen-shakespeare-and-politics/>

*Politicitation*: Political commentators, usually well-educated but not specialists in literature, alluding to Shakespeare off-the-cuff to boost the power and prestige of their arguments.

Joyce Carol Oates (@JoyceCarolOates), “Like Shakespeare's Falstaff, D. Trump is the inspiration of great wit in others--a rare comic talent, &amp; to be prized,” Twitter Post (Aug. 25, 2013). <https://twitter.com/JoyceCarolOates/status/371706051688538113>

Amanda Gordon, “Shakespeare Has Words for Trump, Dr. Who Actor Tennant Says,” *Bloomberg* (April 4, 2016). [https://www.bloomberg.com/news/articles/2016-04-04/shakespeare-s-richar…](https://www.bloomberg.com/news/articles/2016-04-04/shakespeare-s-richard-ii-has-words-for-trump-dr-who-actor-says)

Simon Schama (@simon\_schama), “‘I alone’ says Donald Trump. ‘I am myself alone’ says Shakespeare's Richard III. I alone profoundly inimical to the American idea since 1776,” Twitter Post (July 22, 2016). [https://twitter.com/simon\_schama/status/756354079329251328](https://twitter.com/simon_schama/status/756354079329251328)

Bill Kristol, “Kristol Clear #109,” *The Weekly Standard* (April 24, 2016). <https://www.washingtonexaminer.com/weekly-standard/kristol-clear-109>

Melena Ryzik, “Meryl Streep Does a Number on Donald Trump at Public Theater’s Gala,” *New York Times*(June 7, 2016). [https://www.nytimes.com/2016/06/08/theater/meryl-streep-donald-trump-pu…](https://www.nytimes.com/2016/06/08/theater/meryl-streep-donald-trump-public-theater.html)

“Bryan Cranston: Trump is like a ‘Shakespearean character’,” BBC Newsnight (Oct. 31, 2016). [https://www.bbc.com/news/av/election-us-2016-37829018/bryan-cranston-tr…](https://www.bbc.com/news/av/election-us-2016-37829018/bryan-cranston-trump-is-like-a-shakespearean-character)

Marcus Gilmer, “Trump’s Cabinet Meeting was a Lot Like the Opening of ‘King Lear’,” *Mashable* (June 12, 2017). <https://mashable.com/2017/06/12/trump-weird-cabinet-meeting/>

James Lewis, “Shakespeare Would Defend Trump,” *American Thinker* (June 19, 2017). [https://www.americanthinker.com/articles/2017/06/shakespeare\_would\_defe…](https://www.americanthinker.com/articles/2017/06/shakespeare_would_defend_trump.html)

Tyler Cowen, “Forget Caesar. Shakespeare Has Another Role for Trump,” *Bloomberg* (June 20, 2017). [https://www.bloomberg.com/opinion/articles/2017-06-20/forget-caesar-sha…](https://www.bloomberg.com/opinion/articles/2017-06-20/forget-caesar-shakespeare-has-another-role-for-trump)

Stephen Colbert, “Was That Tweet from Trump or Shakespeare?” *The Late Show with Stephen Colbert*(July 20, 2017). [https://youtu.be/IWoSLf\_samY](https://youtu.be/IWoSLf_samY)

Brandon Carter, “Email prankster posed as White House officials in emails to Scaramucci, others,” *The Hill* (July 31, 2017). [https://thehill.com/homenews/administration/344716-email-prankster-succ…](https://thehill.com/homenews/administration/344716-email-prankster-successfully-posed-as-top-wh-officials-in-emails-to)

Jake Tapper, “White House Officials Tricked by Email Prankster,” *CNN* (August 1, 2017). [https://www.cnn.com/2017/07/31/politics/white-house-officials-tricked-b…](https://www.cnn.com/2017/07/31/politics/white-house-officials-tricked-by-email-prankster/index.html)

Paula Marantz, “The Bard Can Help Us Understand Politics’ Sound and Fury,” *The Wall Street Journal*(Sept. 8, 2017). [https://www.wsj.com/articles/the-bard-can-help-us-understand-politics-s…](https://www.wsj.com/articles/the-bard-can-help-us-understand-politics-sound-and-fury-1504900336)

Anderson Cooper 360° (@AC360), “‘It’s like alt-right Shakespeare’ Journalist @JoshuaGreen on the prospect of former adviser Steve Bannon returning to the White House and the good graces of President Trump,” Twitter Post (April 11, 2018). <https://twitter.com/AC360/status/984244011731795970>

Donna Brazile (@donnabrazile), “I used to think than this whole Trump administration drama was Shakespearean. But in Shakespeare, the fools are wise,” Twitter Post (May 5, 2018). <https://twitter.com/donnabrazile/status/992918027908931584>

Davis Richardson, “Rudy Giuliani Likens Michael Cohen to Shakespeare Machiavellians Iago and Brutus,” *Observer* (July 30, 2018). [https://observer.com/2018/07/rudy-giuliani-likens-michael-cohen-to-shak…](https://observer.com/2018/07/rudy-giuliani-likens-michael-cohen-to-shakespeare-machiavellians-iago-brutus/)

“Fox guest: Donald Trump is "like King Lear, a man more sinned against than sinning,” *Media Matters*(August 13, 2018), [https://www.mediamatters.org/video/2018/08/13/fox-guest-donald-trump-ki…](https://www.mediamatters.org/video/2018/08/13/fox-guest-donald-trump-king-lear-man-more-sinned-against-sinning/220975).

Donna Brazile (@donnabrazile), “This is starting to feel like the final act of a Shakespeare play... and I don’t think it’s going to end with a wedding,” Twitter Post (Aug. 22, 2018). <https://twitter.com/donnabrazile/status/1032278764900765696>

Michael Stevenson, “British Writer Pens The Best Description Of Trump I’ve Read,” The HOBBLEDEHOY (March 8, 2019). [https://thehobbledehoy.com/2019/03/08/british-writer-pens-the-best-desc…](https://thehobbledehoy.com/2019/03/08/british-writer-pens-the-best-description-of-trump-ive-read/)

Dan Rather (@DanRather), “Reporting on whether one should comply with a Congressional subpoena should not be framed like a Hamlet soliloquy…” Twitter Post (May 26, 2019). <https://twitter.com/DanRather/status/1132694498612375553>

Joyce Carol Oates (@JoyceCarolOates), “hoping that if US military leaders are commanded into action by an illegitimate president…” Twitter Post (Oct. 7, 2019). <https://twitter.com/JoyceCarolOates/status/1181184800448765953>

Marsha Blackburn, “A 3-year, coordinated effort has been underway to remove @realDonaldTrump from office. Jesus warned us — watch out for the lawyers,” Twitter Post (Nov. 10, 2019). <https://twitter.com/VoteMarsha/status/1193668137759195137>

Alex Woodward, “Michael Cohen: Jailed ex-Trump lawyer says he 'sold his soul' and quotes Othello as he pleads for clemency,” *The Independent* (Dec. 12, 2019). [https://www.independent.co.uk/news/world/americas/us-politics/michael-c…](https://www.independent.co.uk/news/world/americas/us-politics/michael-cohen-trump-prison-sentence-probation-russia-mueller-a9243206.html)

Asha Rangappa (@AshaRangappa\_), “Hey @DevinNunes — does your dim attorney realize he is quoting, as a representation of YOU, one of the most treacherous villains in Shakespeare’s canon…” Twitter Post (Jan. 31, 2020). [https://twitter.com/AshaRangappa\_/status/1223274550688993280](https://twitter.com/AshaRangappa_/status/1223274550688993280)

Louis Chilton, "Robert De Niro slams Trump associates: ‘They’re around a crazy person and they’re not doing anything. This is like Shakespeare’," *Independent* (May 7, 2020). [https://www.independent.co.uk/arts-entertainment/films/news/robert-de-n…](https://www.independent.co.uk/arts-entertainment/films/news/robert-de-niro-trump-stephen-colbert-interview-shakespeare-president-a9503241.html)

Josh Kovensky, "New Revelations About Stone And Wikileaks Cast Mueller As ‘Hamlet’," *Talking Points Memo* (June 22, 2020). [https://talkingpointsmemo.com/muckraker/new-revelations-about-stone-and…](https://talkingpointsmemo.com/muckraker/new-revelations-about-stone-and-wikileaks-cast-mueller-as-hamlet)

Maureen Dowd, "Double, Double, Trump’s Toil, Our Trouble," *New York Times* (Aug. 1, 2020). [https://www.nytimes.com/2020/08/01/opinion/sunday/trump-coronavirus-her…](https://www.nytimes.com/2020/08/01/opinion/sunday/trump-coronavirus-herman-cain.html)

Andrew Sullivan, "Yes, This Is The Face Of A Tyrant," *The Weekly Dish* (

Brit Hume, "With apologies to Shakespeare, it will be said of Trump that nothing in his presidency became him less than the leaving of it," Twitter Post (Dec. 26, 2020). <https://twitter.com/brithume/status/1342855603618770945>

Dana Milbank, "Trump, in his final days, goes full King Lear," Washington Post (Dec. 28, 2020). [https://www.washingtonpost.com/opinions/2020/12/28/trump-his-final-days…](https://www.washingtonpost.com/opinions/2020/12/28/trump-his-final-days-goes-full-king-lear)

**Writing**

*The Really Bad Quartos*: Similar to the *Shakes-Trump Travesties*, satirical creative writing that tells Shakespearean stories in Trumpian language or vice versa.

Aryeh Cohen-Wade, “Donald Trump Performs Shakespeare’s Soliloquies,” *The New Yorker* (April 6, 2016). [https://www.newyorker.com/humor/daily-shouts/donald-trump-performs-shak…](https://www.newyorker.com/humor/daily-shouts/donald-trump-performs-shakespeares-soliloquies)

Jaime Fuller, “Shakespeare’s Latest Tragedy: The 2016 Election,” *Mtv.com* (April 25, 2016). [http://www.mtv.com/news/2872275/shakespeares-latest-tragedy-the-2016-el…](http://www.mtv.com/news/2872275/shakespeares-latest-tragedy-the-2016-election/)

T. Campbell, “Shakespeare’s Trump I, Act I, Scene I,” *Medium* (Feb 12, 2017). [https://medium.com/@twilliamcampbell/shakespeares-trump-i-act-i-scene-i…](https://medium.com/@twilliamcampbell/shakespeares-trump-i-act-i-scene-i-3f7d72f3462f)

Nick Shea, *Donald Trump vs. William Shakespeare: A Battle of Wits* (2018). [https://www.amazon.com/Trump-vs-Shakespeare-Battle-Wits-ebook/dp/B07BGD…](https://www.amazon.com/Trump-vs-Shakespeare-Battle-Wits-ebook/dp/B07BGDMSCQ)

Charlie Ovink, “Shakespeare Edited for the Trump Era,” *McSweeneys* (Feb. 28, 2017). <https://www.mcsweeneys.net/articles/shakespeare-edited-for-the-trump-era>

Jim Marino (Doctor Cleveland), “I am Part of the Resistance Inside King Lear’s Court,” *Dag Blog* (Sept. 5, 2018). [http://dagblog.com/politics/i-am-part-resistance-inside-king-lears-cour…](http://dagblog.com/politics/i-am-part-resistance-inside-king-lears-court-26089)

Tom McBride, *The Donald &amp; The Bard: Shakespeare Goes On Cable News* (CreateSpace Independent Publishing, 2018). <https://www.amazon.com/Donald-Bard-Shakespeare-Goes-Cable/dp/1725029545>

Robert Hornback, *The Trump Lexicon* (Nonesuch, 2018). [https://www.amazon.com/TRUMP-LEXICON-NEW-KINGS-ENGLISH-ebook/dp/B07H48Z…](https://www.amazon.com/TRUMP-LEXICON-NEW-KINGS-ENGLISH-ebook/dp/B07H48Z8XL)

Ian Doescher and Jacopo della Quercia, *MacTrump* (Philadelphia: Quirk, 2019). [https://www.penguinrandomhouse.com/books/612555/mactrump-by-ian-doesche…](https://www.penguinrandomhouse.com/books/612555/mactrump-by-ian-doescher-and-jacopo-della-quercia/)

AJ Smith, *By the Thumbings of a Prick: The Tweets of Donald Trump as Shakespearean Sonnets*(Somerville, NJ: This is Livin’, 2019). [https://www.amazon.com/Thumbings-Prick-Tweets-Shakespearean-Sonnets/dp/…](https://www.amazon.com/Thumbings-Prick-Tweets-Shakespearean-Sonnets/dp/0998281913)

Martin Rowson, "Shakespearean Tragedy," *Culture Matters* (Nov. 17, 2020). [https://www.culturematters.org.uk/index.php/arts/poetry/item/3559-shake…](https://www.culturematters.org.uk/index.php/arts/poetry/item/3559-shakespearean-tragedy)

*Scholarly Conference Papers and Journal Articles at the Intersection of Shakespeare and Trump: Which Always Have Colons in Their Titles*: Talks by academics for academics, usually leveraging a specialist’s historical knowledge to unfurl a new wrinkle in the Shakespeare-and-Trump discourse.

Cass Morris, “‘To try eloquence, now ‘tis time’: Virtues and Vices of Rhetoric,” *American Shakespeare Center* (Jan. 17, 2017). [https://americanshakespearecenter.com/2017/01/to-try-eloquence-now-tis-…](https://americanshakespearecenter.com/2017/01/to-try-eloquence-now-tis-time-virtues-and-vices-of-rhetoric/)

Christina Dennehy, “‘I Find the People Strangely Fascinated’: Performing *King John* in the Trump Era,” *Blackfriars’s Conference* (Staunton, VA: American Shakespeare Center, Oct. 2017).

Gabriel Rieger, “‘Indeed, it is a strange-disposed time’: *Julius Caesar*, *A Game at Chess*, and the Politics of Staging,” *Ohio Valley Shakespeare Conference* (Berea, OH: Baldwin Wallace University, Oct. 2017); *Selected Papers of the Ohio Valley Shakespeare Conference* 10 (2019): 53-63.

Anne-Marie Walkowicz, “Shakespeare’s Oppositional Voices: Politics, Power, and Citizenship in *Julius Caesar* Both Then and Now,” *Ohio Valley Shakespeare Conference* (Berea, OH: Baldwin Wallace University, Oct. 2017).

Kathryn T. Burt, “‘When Caesar says ‘Do this,’ it is perform’d’: Political Metadrama in Shakespeare’s *Julius Caesar* and Donald Trump’s Presidential Campaign,” oral presentation (Rock Hill, SC: Winthrop University, 2018).

Susan Rowland, “The Demonic and Narcissistic Power of the Media in Shakespeare's *Macbeth*,” in A Clear and Present Danger: Narcissim in the Era of President Trump, ed. Leonard Cruz and Steven Buser (Asheville: Chiron, 2017): 229-40.

Ronnie Mulryne, “King Lear: Perception and the Price of Silence,” *Modern Believing* 58.2 (2017): 111-22.

Ameer Sohrawardy, “Julius Caesar and the 2016 Presidential Election,” *English Journal* 107.4 (2018): 64-66.

Yo Jin Ko, “Donald Trump: Shakespeare’s Lord of Misrule,” in *Trump and Political Philosophy: Leadership, Statesmanship, and Tyranny*, ed. Angel Jaramillo Torres and Marc Benjamin Sable (New York, NY: Palgrave Macmillan, 2018): 149-62.

Paul Hamilton, “Trump, Macbeth, and Complicity in the State of Emergency,” *British Shakespeare Association Annual Convention* (Belfast, Northern Ireland: Queens University Belfast, June 2018). <https://youtu.be/6mqfyrbHPTk>

David Ruiter, “Shakespeare and Theatre at the Civic Intersection,” *New Places: Shakespeare and Civic Creativity*, ed. Paul Edmondson and Ewan Fernie (London: Bloomsbury, 2018): 235-49.

Dan Venning, “Richard III in the Era of Trump,” *PAJ: A Journal of Performance and Art* 40.2 (2018): 1-12.

Stephen Purcell, “Shakespeare Performances in England, 2017,” *Shakespeare Survey* 71 (2018): 305-43.

Daniel Spector, “Shakespeare Studies and Performance: Free Speech and Identity Politics,” *British Shakespeare Association Annual Convention* (Belfast, Northern Ireland: Queens University Belfast, June 2018).

Molly Beth Seremet, “‘This is and is Not Cressida’: Resisting Anthropocentrism in a Shakespeare of Things,” *Early Modern Culture* 13 (2018): 138-48.

Jeffrey Jerome Cohen, “Response: In the Storm,” *Early Modern Culture* 13 (2018): 149-51.

Courtney Lehmann, “The Trump Effect: Exceptionalism, Global Capitalism, and the War on Women in Early Twenty-first-century Films of King Lear,” in Shakespeare on Screen: King Lear, ed. Victoria Bladen, Sarah Hatchuel, and Nathalie Vienne-Guerrin (Cambridge: Cambridge University Press, 2019): 171-84.

*Public Shakespeare*: Essays by Shakespeare scholars for public venues bringing the plays into discussion with current events.

Andrew Cutrofello, “Shakespeare and Trump: What’s in a Name?” *Public Seminar* (December 15, 2015). <https://publicseminar.org/2015/12/shakespeare-and-trump-whats-in-a-name/>

Gary Schmidgall, “What Would Shakespeare Make of Trump?” *The Chronicle Review* (Feb. 7, 2016). <https://www.chronicle.com/article/What-Would-Shakespeare-Make-of/235217>

Brian Leiter, “Shakespeare on Trump: Money Made the Man,” *The Huffington Post* (Feb 29, 2016). [http://www.huffingtonpost.com/brian-leiter/shakespeare-on-trump-money-m…](http://www.huffingtonpost.com/brian-leiter/shakespeare-on-trump-money-made-the-man_b_9344370.html)

Charles McNulty, “The Theater of Trump: What Shakespeare can teach us about the Donald,” *Los Angeles Times* (May 26, 2016). [https://www.latimes.com/entertainment/arts/la-ca-cm-0529-shakespeare-tr…](https://www.latimes.com/entertainment/arts/la-ca-cm-0529-shakespeare-trump-20160518-snap-htmlstory.html)

Paul Hamilton, “Trumping Shakespeare: Donald Trump, Boris Johnson, and the Rise of the Clown Politician,” *Kingston Shakespeare Seminar* (July 11, 2016). [https://kingstonshakespeareseminar.wordpress.com/2016/07/11/trumping-sh…](https://kingstonshakespeareseminar.wordpress.com/2016/07/11/trumping-shakespeare-donald-trump-boris-johnson-and-the-rise-of-the-clown-politician/)

Peter C. Herman, “Shakespeare’s ‘Macbeth,’ Donald Trump, and the Republican Party,” *Times of San Diego* (Aug. 7, 2016). [https://timesofsandiego.com/opinion/2016/08/07/shakespeares-macbeth-don…](https://timesofsandiego.com/opinion/2016/08/07/shakespeares-macbeth-donald-trump-and-the-republican-party/)

Stephen Greenblatt, “Shakespeare Explains the 2016 Election,” *New York Times Sunday Review* (Oct. 8, 2016). [https://www.nytimes.com/2016/10/09/opinion/sunday/shakespeare-explains-…](https://www.nytimes.com/2016/10/09/opinion/sunday/shakespeare-explains-the-2016-election.html)

Sean Keilen, “Anger in Politics: From Shakespeare to Donald Trump,” *UCSC Institute for Humanities Research* (Santa Cruz, CA: Kuumbwa Jazz Center, Oct. 18, 2016). See Scott Rappaport, “Anger in Politics: From Shakespeare to Donald Trump,” *UC Santa Cruz News Center* (Sept. 22, 2016).

Noah Millman, “The Age of Trump, as Explained by Shakespeare,” *The Week* (Nov. 2, 2016). <https://theweek.com/articles/658952/age-trump-explained-by-shakespeare>

Eric Minton, “Locker Room Talk and Sexual Assault: To Whom Should I Complain?” *Shakespeareances*(Nov. 6, 2016). [http://www.shakespeareances.com/dialogues/commentary/Locker\_Room-101416…](http://www.shakespeareances.com/dialogues/commentary/Locker_Room-101416.html)

Rex Weiner, “Titus in Space,” *The Paris Review* (Nov. 29, 2016). <https://www.theparisreview.org/blog/2016/11/29/titus-in-space/>

Steve Mentz, “He Must See Ghosts: Richard III, Trump, and the Future,” *Hypocrite Reader* 70 (Dec. 2016). <http://www.hypocritereader.com/70/must-see-ghosts>

Michael Billington, “Forget Julius Caesar – Trump is more like Richard III, Shakespeare’s satanic joker,” *The Guardian* (June 12, 2017). [https://www.theguardian.com/us-news/shortcuts/2017/jun/12/julius-caesar…](https://www.theguardian.com/us-news/shortcuts/2017/jun/12/julius-caesar-trump-shakespeare-pulled-sponsorshiphttps://www.theguardian.com/us-news/shortcuts/2017/jun/12/julius-caesar-trump-shakespeare-pulled-sponsorship)

Ross Douthat, “The Trumpiest Roman of Them All,” *New York Times* (June 14, 2017). [https://www.nytimes.com/2017/06/14/opinion/the-trumpiest-roman-of-them-…](https://www.nytimes.com/2017/06/14/opinion/the-trumpiest-roman-of-them-all.html)

Daniel Pollack-Pelzner, “Behold, Steve Bannon’s Hip Hop Shakespeare Rewrite,” *New York Times* (Dec. 17, 2016). [https://www.nytimes.com/2016/12/17/opinion/sunday/steve-bannon-hip-hop-…](https://www.nytimes.com/2016/12/17/opinion/sunday/steve-bannon-hip-hop-shakespeare-rewrite-coriolanus.html)

Peter Conrad, *Shakespeare: The Theatre of Our World* (Head of Zeus, 2018), excerpted in “Shakespeare in the Age of Brexit and Trump: The Play’s Still the Thing,” *The Observer* (Sept. 29, 2018).

“Q&amp;A: A Tale Told by an Idiot: Shakespeare and Trump,” *Prospect* (Feb. 6, 2017). <https://prospect.org/culture/q-a-tale-told-idiot-shakespeare-trump/>

Rhodri Lewis, “Shakespeare and the American Oligarchy,” *Times Literary Supplement* (Jan. 23, 2017). [https://www.the-tls.co.uk/articles/julius-caesar-richard-shakespeare-tr…](https://www.the-tls.co.uk/articles/julius-caesar-richard-shakespeare-trump/)

Gavin Paul, “Reading King Lear in the Age of Trump,” *Medium* (June 16, 2017). [https://medium.com/@gavinpaul/reading-king-lear-in-the-age-of-trump-aaf…](https://medium.com/@gavinpaul/reading-king-lear-in-the-age-of-trump-aaf03e68e5ea)

Robert Cooper, “Shakespeare’s Politics,” *The American Interest* 13.1 (June 20, 2017). <https://www.the-american-interest.com/2017/06/20/shakespeares-politics/>

Michael Hiltzik, “No mercy in him: Reading Shakespeare's 'Coriolanus' in the age of Trump,” *Los Angeles Times* (Aug. 23, 2017). [https://www.latimes.com/business/hiltzik/la-fi-hiltzik-coriolanus-20170…](https://www.latimes.com/business/hiltzik/la-fi-hiltzik-coriolanus-20170821-story.html)

Paula Marantz, “The Bard Can Help Us Understand Politics’ Sound and Fury,” *The Wall Street Journal*(Sept. 8, 2017). [https://www.wsj.com/articles/the-bard-can-help-us-understand-politics-s…](https://www.wsj.com/articles/the-bard-can-help-us-understand-politics-sound-and-fury-1504900336)

Ambereen Dadabhoy, “Why We Need a Trump Shakespeare,” *What Can a Liberal Arts Education Offer in the Age of Trump* (Claremont, CA: Harvey Mudd College, Sept. 26, 2017). <https://ambereendadabhoy.com/2017/10/06/why-we-need-a-trump-shakespeare/>

Stephen Greenblatt, *Tyrant: Shakespeare on Politics* (New York, NY: Norton, 2018).

William Germano, [https://www.chronicle.com/blogs/linguafranca/2018/08/02/benedict-arnold…](https://www.chronicle.com/blogs/linguafranca/2018/08/02/benedict-arnold-brutus-and-iago)

Eliot A. Cohen, “How This Will End,” *The Atlantic* (Aug. 24, 2018). [https://www.theatlantic.com/ideas/archive/2018/08/the-end-of-trumps-rei…](https://www.theatlantic.com/ideas/archive/2018/08/the-end-of-trumps-reign/568480/)

Peter C. Herman, “Shakespeare, Kavanaugh and an Ancient Theme of Sexual Hypocrisy,” *Times of San Diego* (Sept. 24, 2018). [https://timesofsandiego.com/opinion/2018/09/24/opinion-shakespeare-kava…](https://timesofsandiego.com/opinion/2018/09/24/opinion-shakespeare-kavanaugh-and-an-ancient-theme-of-sexual-hypocrisy/)

Colin Dray, “Making Troy Great Again: On Shakespeare's 'Troilus and Cressida' and Trump's Ugly Political Rhetoric,” *Pop Matters* (Oct. 15, 2018). [https://www.popmatters.com/shakespeare-troilus-and-cressida-trump-26097…](https://www.popmatters.com/shakespeare-troilus-and-cressida-trump-2609757476.html)

Bret Stephens, “When Fiction Most Becomes Trump,” New York Times (Dec. 28, 2018). [https://www.nytimes.com/2018/12/28/opinion/trump-presidency-news-media…](https://www.nytimes.com/2018/12/28/opinion/trump-presidency-news-media.html)

Robin Bates, “Which Shakespeare Character is Trump?” *Better Living Through Beowulf* (Jan. 2, 2019). [https://betterlivingthroughbeowulf.com/which-shakespeare-character-is-t…](https://betterlivingthroughbeowulf.com/which-shakespeare-character-is-trump/).

Tom Rogan, “Shakespeare Twitter is Wrong: Trump isn't Macbeth and America isn't Sinking,” *The Washington Examiner* (Jan. 22, 2019). [https://www.washingtonexaminer.com/opinion/shakespeare-twitter-is-wrong…](https://www.washingtonexaminer.com/opinion/shakespeare-twitter-is-wrong-trump-isnt-macbeth-and-america-isnt-sinking)

Jennifer Finney Boylan, “The Madness of King Donald,” *New York Times* (Feb. 20, 2019). <https://www.nytimes.com/2019/02/20/opinion/trump-king-lear.html>

Peter C. Herman, “Lessons from Shakespeare for the Trump White House,” *Times of San Diego* (March 2, 2019). [https://timesofsandiego.com/opinion/2019/03/02/opinion-lessons-from-sha…](https://timesofsandiego.com/opinion/2019/03/02/opinion-lessons-from-shakespeare-for-the-trump-white-house/)

Kevin D. Williamson, “Springtime of Their Discontent,” *National Review* (March 26, 2019). [https://www.nationalreview.com/2019/03/politics-trump-presidency-shakes…](https://www.nationalreview.com/2019/03/politics-trump-presidency-shakespeare-richard-iii/)

Daniel Pollack-Pelzner, “In “Gary: A Sequel to Titus Andronicus,” Taylor Mac Takes on Shakespeare—and Trump,” *The New Yorker* (April 20, 2019). [https://www.newyorker.com/culture/culture-desk/in-gary-a-sequel-to-titu…](https://www.newyorker.com/culture/culture-desk/in-gary-a-sequel-to-titus-andronicus-taylor-mac-takes-on-shakespeareand-trump)

Gregg Opelka, “Would Shakespeare Impeach Trump?” *Wall Street Journal* (Sept. 27, 2019). <https://www.wsj.com/articles/would-shakespeare-impeach-trump-11569621402>

Stephen Marche, “The Shakespearean Tragedy that Resembles Trump’s Presidency Almost Too Well,” *The World Post* (Oct. 10, 2019). [https://www.berggruen.org/the-worldpost/articles/the-shakespearean-trag…](https://www.berggruen.org/the-worldpost/articles/the-shakespearean-tragedy-that-resembles-trumps-presidency-almost-too-well/)

Liesl Schillinger, “High Comedy and Misdemeanors: The Shakespearean Drama at the Heart of Impeachment,” *Lit Hub* (Dec. 17, 2019). [https://lithub.com/comedy-tragedy-farce-of-impeachments-high-drama-and-…](https://lithub.com/comedy-tragedy-farce-of-impeachments-high-drama-and-low-humor/)

Kevin J. Wetmore Jr., “Dramatis Personae,” *LMU Magazine* (Dec. 17, 2019). <https://magazine.lmu.edu/articles/dramatis-personae/>

James Shapiro, *Shakespeare in a Divided America* (New York: Penguin, 2020).

James Shapiro, “Shakespeare and the Culture Wars: On the Movement for Color-Blind Casting,” *Literary Hub* (March 12, 2020). [https://lithub.com/shakespeare-and-the-culture-wars-on-the-movement-for…](https://lithub.com/shakespeare-and-the-culture-wars-on-the-movement-for-color-blind-casting/)

James Shapiro, "The Shakespeare Play That Presaged the Trump Administration’s Response fo the Coronavirus Pandemic,” *The New Yorker* (April 8, 2020). [https://www.newyorker.com/culture/culture-desk/the-shakespeare-play-tha…](https://www.newyorker.com/culture/culture-desk/the-shakespeare-play-that-presaged-the-trump-administrations-response-to-the-coronavirus-pandemic)

Raouf Halaby, "Character Comparison: What Would Shakespeare, Creator of King Lear, Think of Donald Trump?" *Northwest Arkansas Democrat Gazette* (April 26, 2020). <https://www.nwaonline.com/news/2020/apr/26/character-comparison/>

Michael Judge, "Sound and Fury: Seeing the Trump-Biden Contest Through the Eyes of Macbeth," *The Wire* (July 20, 2020). <https://thewire.in/uncategorised/donald-trump-joe-biden-macbeth>

William E. Ellis, "Only Shakespeare could do justice to the last four years in Washington, D.C." *Lexington Herald Leader* (Dec. 23, 2020). <https://www.kentucky.com/opinion/op-ed/article248055280.html>